Closing the Circle: Pursah's Gospel of Thomas and A Course In Miracles
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Writings
Closing the Circle is due to be published at O-Books, with an official launch date of September 26th, of 2008.

You can place your orders with O-Books here:

.....(link will be provided as soon as available).....................



In conjunction with the Another Way Foundation, there will be a fund raiser, which includes prints of the painting Teach Only Love. This is due to be launched in the second quarter of 2008, and details will be announced here:

Fundraiser for Another Way Foundation - Teach Only Love
This little book, now almost sold out, was published in 2003.
It is to be the backbone for the translations of the work of Jan Willem Kaiser, due for completion by 2012.

In one book it brings together both a explanation of Kaiser in his own words, with material from all of his writings, centered on providing the necessary background to understand his introduction to the Gospel according to Mark. Along with that, it accounts for my own work with his material, and in recent years in connection with A Course In Miracles, which has immeasurably deepened my understanding of J. W. Kaiser.

Kaiser was the first to show me how a relationship with Jesus was to be a living thing, and in this book (p. 115) I quote one of my favorite expressions of his, when he says: "Presently the newly awakened psychology will gradually accomplish what pure religious devotion might have done: throw out Paul, and let Jesus in!" That was written some 25 years before A Course In Miracles was to appear and express his teachings newly in an integrated psychological and spiritual self-study program, giving a new form to his message in a compelling, integrated, and modern fashion.
With the completion of Closing the Circle, I presently expect to continue to work on my translations of Jan Willem Kaiser, in hopes of completing them and publishing them before 2012.

Alongside that I also expect to become more active in working on my own fresh translation of the Gospel according to Mark, based on my work with the Course as much as the work of Kaiser in this area.

Another abiding interest concerns the evolution of drama, beginning with a fascination with the deeper meaning of the transition from one actor with a chorus (Thespis) to two actors plus a chorus (Aischylus), and beyond (Sophocles), along with a deepening understanding of drama as a reflection of how we project our own dramas into the world with the opportunities for empathy and forgiveness which it offers.
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